Tag Archives: The Majorettes


One thing a lot of rap detractors like to pretend and insinuate is that the problematic ideas expressed in many rap songs (violence, misogyny, materialism, etc.) are only newly problematic.  No one can deny that these ideas are present in rap music or that they are problematic, but I feel like I see more and more evidence all the time of the antiquity of these ideas in our culture as well as our music.  Why can Johnny Cash shoot a man in Reno just to watch him die, but when Weezy empties his clip, then rolls his window up, people start raising their eyebrows?  Why can Robert Plant claim that “the soul of a woman was created below“, but when Dre, Snoop, and Daz assert that “bitches ain’t shit but hoes and tricks“, they’re being offensive and destructive to society?

The materialism present in some rap music is probably not as hot-button an issue as these previous two, it’s usually at the end of a long list of complaints by people that want to disparage this music and is framed as more of an annoyance than a full-fledged indictment.  But today I found a really great example of even this more minor evil of rap having its predecessors in more “wholesome” music.

The Majorettes – White Levi’s

Name-brand dropping in rap songs definitely a lot more widespread than it was in 60s pop, but it’s good to be reminded that it wasn’t absent.  It reminds us that our culture really hasn’t changed that much, certain parts might have grown and expanded recently, but the issue itself is not at all new.  The Majorettes’ attitude toward name brands is the same as Rick Ross’s.  But how many people do you know that would scoff and turn their nose up at a rapper named Gucci Mane, but would find this song completely harmless, aesthetically and morally?  The point isn’t whether you want to be an advocate for materialism or not (or violence or misogyny for that matter), it’s whether or not you truly believe that the music we’re making is creating or bolstering these societal problems.  There isn’t a single one of us that doesn’t have a violent side, a bigoted side, a greedy, materialistic side.  But are we really going to believe that hearing a song where an artist channels that particular part of him or herself for a few minutes is going to make people that hear it drop everything and completely indulge that part of themselves?  When I hear a song like Waka Flocka’s “Bustin At ‘Em“, I’m no more likely to murder anyone after listening to it than before because I’ve been raised in an environment that teaches me that things like murder aren’t good things to do, and I live in an environment that doesn’t push me to abandon my morals to survive.  It’s when we create situations where there is little or no choice but to do things you know are wrong or when people start getting relaxed about teaching the youth these moral lessons that they can begin to be affected by something like a song in this way.

But I don’t believe it’s the artist’s role in society to always take the moral high ground and set a glowing example for the youth.  That’s not their job.  That’s why we have parents, grandparents, teachers, elders, priests, rabbis, shaman, monks, imams, chiefs, presidents, and countless other societal roles that are charged with the occupation of being examples to follow in ethical matters.  These are the people that need to be stepping up to do that job, it’s their job to stand on a hilltop or behind a podium and make sure you know that it’s not OK to steal from people, or to persecute people, or to murder people.  It’s the artist’s job to whisper in your ear that if you happen to have a passing thought or urge that defies these moral absolutes, you’re not alone, or crazy, or sick.  As long as our moral leaders are doing their jobs and our society isn’t pushing big groups of people into desperate circumstances, then it’s safe not to fear our artist’s whispers, because all they are doing is comforting us in our times of weakness and imperfection, allowing us to be comfortable with being human.  Flocka himself explained how his music plays that role in our society.

It’s for people that’s going through or living what I’m talking about. It teaches them how to relieve stress verbally instead of physically.

You don’t have to love the vices, you just have to admit that you’re susceptible to them like everybody else is.  I think we could all get along a little better if we all admitted that to ourselves, and each other.

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